I began to haunt flea markets and old book and record stores looking for vinyl treasures. I still had a decent turntable, and had recently upgraded the cartridge, but my phono preamp was at least 10 years old and not the best to begin with. It sounded ok, but the next logical upgrade was a more serious audiophile phono preamp.
A few months ago, I refurbished a Dynaco Stereo 120 audio amplifier for my studio, replacing a Stereo 80 amp that had been in service for years. There wasn’t anything wrong with the 80, but I wanted the increased power and the sound improvements that the 120 upgrades had provided in the studio.
In a former life, I worked in professional audio sales and service for a local music store. This was about a million years ago, and the store, Musicmakers Austin, is long gone. I was just recently out of college and the modest pay didn’t matter too much because I was living every musician’s dream: working as a musician — or at least in close proximity to working musicians.
I’ve been a student of piano all of my life, and have always preferred hearing to reading when learning a new piece. My piano teachers cautioned me against this approach, since reading music would open a much larger window onto the classical world.
I’ve always had an interest in George Gershwin. A friend who knows this got me The Gershwins (copyright 1973) by Robert Kimball and Alfred Simon for Christmas, and I’ve been enjoying it. I read it when researching my thesis 40 years ago, and had forgotten how interesting it is. He must have found it in a used book store, because I’m sure it’s been out of print for some time. What a treat!