I’ve had a small air compressor in the shop for over a dozen years, and it’s served me well. Inflating tires, brad nailers, blowing dust — even some small air tools — it’s been fine. I turned it on recently, and it sounded much different. It’s always been noisy being one of those oilless types, but this sounded much worse.
I began to haunt flea markets and old book and record stores looking for vinyl treasures. I still had a decent turntable, and had recently upgraded the cartridge, but my phono preamp was at least 10 years old and not the best to begin with. It sounded ok, but the next logical upgrade was a more serious audiophile phono preamp.
Restoring the Freshman Masterpiece AM radio was a lot of fun, but using batteries wasn’t. They’re convenient for testing, but expensive for regular use. The “B” battery alone uses ten 9-volt batteries, and that’s over $20 per set. There are battery simulators available for old tube radios, but they’re not cheap either, and where’s the fun in just buying a plug-in power supply? Wouldn’t it be cooler to use solar power and a 12-volt rechargeable battery?
After learning the basics of welding from my friend Bob, I needed to decide how to restore a Craftsman Welder. I needed practice.
I mentioned finding two old 20’s-era broadcast receivers in an earlier post. Some months had passed, and restoring the Freshman Masterpiece “5F5” seemed like a fun project and a quick win. The radio was designed to run on two batteries: an “A” or 6-volt battery for the tube filaments and a “B” or 90-volt battery for the plate voltage.
Ikea makes a wonderful work light (JANSJÖ) that sells for about $13. I have several of them, and love the warm pool of light they…
I’ve wanted to to weld for some time now. My best friend from High School went through the pipe fitter apprenticeship program when we were just out of High School. He was such a good welder by the time he completed the program, that he won a gold watch with his final test.
It’s been nearly two years since a pair of classic old shortwave receivers followed me home from California, and they have been staring at me each time I enter the shop ever since. Neither are functional, and both are daunting restoration projects. I wanted to revive some of my old vacuum tube chops and collect some vintage test equipment before diving into these beauties.
A few months ago, I refurbished a Dynaco Stereo 120 audio amplifier for my studio, replacing a Stereo 80 amp that had been in service for years. There wasn’t anything wrong with the 80, but I wanted the increased power and the sound improvements that the 120 upgrades had provided in the studio.
In a former life, I worked in professional audio sales and service for a local music store. This was about a million years ago, and the store, Musicmakers Austin, is long gone. I was just recently out of college and the modest pay didn’t matter too much because I was living every musician’s dream: working as a musician — or at least in close proximity to working musicians.